Dear SIGCISians, I'm proposing an open session for the SHOT 2023. It may be of interest to scholars working on the computerization of performance infrastructures and other topics related to theater, music, dance, and other forms of performance and exhibition. Feel free to be in touch with any inquiries. See below or visit https://tinyurl.com/shot-performance-tech. Abstracts by March 20 to scottkushner@uri.edu. ENGINEERING EVENTS: TECHNOLOGIES OF PERFORMANCE Organizer: Scott Kushner, University of Rhode Island (scottkushner@uri.edu) Accounting, amplifying, autotuning, broadcasting, concealing, crowd controlling, designing, displaying, fencing, filming, lighting, loading-in, marketing, monitor mixing, rigging, simulcasting, sound engineering, staging, striking, surveilling, ticketing, transporting, wayfinding: performance events are inseparable from technological interventions. These technologies all have their own histories, and each conspires with other technologies, practices, and discourses to form an assemblage of technical operations. This SHOT session will explore the histories of technologies that support and surround performance—music, theater, sport, and other cultural formations where large groups of people watch small groups of people do things. Technologies of performance can dazzle audiences or hide in plain sight, but they all structure the possibilities of entertainment and the social parameters of performing or audiencing. How have technical instruments of performance interacted with familiar social divides such as gender, race, class, and ability? How have technologies shaped who may perform or attend, whose labor is valued or devalued, whose financial or political interests are served or sidelined? The significance of this work to the history of technology lies in concentrating discussion about the ways that technological interventions have shaped the production, consumption, and possibilities of cultural performance. Scholars at various career levels (graduate students through senior scholars, and all throughout the various dimensions of the academic-labor dominion) working on projects at all stages of development (new ideas, works-in-progress, magna opera) may propose papers exploring technologies of performance from the perspective of innovators, implementers, users, performers, audiences, and/or excluded parties. Proposals engaging with any era and geographic context are welcome. Procedure: Those interested in proposing presentations for potential inclusion in this session will kindly prepare one-page abstracts and a one-page CVs with current contact information. Please submit materials to Scott Kushner (scottkushner@uri.edu) by March 20, 2023. If you will be a first-time SHOT presenter, do not hold a tenure-stream position, are a graduate student (or no more than two years from receipt of a terminal academic degree), and wish to be considered for the Robinson Prize, please indicate as much in your abstract. (Find information about the Robinson Prize at the Robinson Prize page at the SHOT website: https://www.historyoftechnology.org/about-us/awards-prizes-and-grants/joan-c... ) -- Scott Kushner Associate Professor Department of Communication Studies Harrington School of Communication and Media University of Rhode Island 312 Davis Hall 10 Lippitt Rd. Kingston, R.I. 02881 +1 (401) 874-5223 scottkushner@uri.edu